The Surface of the Water (Mizu no omo shū) - Komatsubara Suikei
Archival giclée
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Description
A traditional Japanese woodblock print from the series The Surface of the Water, depicting figures in courtly attire with accompanying calligraphy.
This woodblock print originates from the collection titled The Surface of the Water (Mizu no omo shū), attributed to the artist Komatsubara Suikei. The work reflects the conventions of Japanese book illustration during the late Edo period, where text and image share the page to create a unified narrative experience. The composition is divided across two pages, depicting figures in traditional courtly attire engaged in a social or literary gathering.
The artist employs a flattened perspective, typical of the period, which allows the viewer to observe the interior space from an elevated vantage point. The figures are rendered with delicate line work, focusing on the patterns of their kimonos and their distinct postures. Soft, cloud-like forms are used to delineate the boundaries of the scene, separating the figures from the surrounding space and providing a sense of atmosphere. The colour palette is restrained, relying on muted earth tones, soft reds, and charcoal greys, which are characteristic of the woodblock printing techniques of the time.
Such prints were often produced as part of larger anthologies or poetry collections, where the visual component served to complement the written verses. The inclusion of calligraphy alongside the figures suggests a context of literary appreciation, common among the educated classes of the era. The print demonstrates the technical precision of the woodblock carver, who managed to capture the subtle textures of the garments and the fluid lines of the figures. This piece offers a glimpse into the aesthetic values of the period, prioritising balance, clarity, and the integration of visual art with the written word. It remains a representative example of the collaborative nature of Japanese print culture, where artists, writers, and carvers worked in concert to produce works for a discerning audience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Surface of the Water (Mizu no omo shū) - Komatsubara Suikei
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