The Tempest: Ariel and the Bee - Edmund Dulac
Archival giclée
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Description
A delicate watercolour illustration by Edmund Dulac, depicting Ariel from Shakespeare's The Tempest amidst flowering jasmine and honeysuckle.
Edmund Dulac produced this illustration for a 1908 edition of William Shakespeare's The Tempest. As a central figure in the early twentieth-century book illustration movement, Dulac utilised a refined watercolour technique to capture the ethereal nature of Ariel. The composition relies on a delicate balance between the negative space of the pale background and the precise, botanical rendering of the jasmine and honeysuckle branches.
Ariel is depicted in a moment of quiet interaction with a bee, suspended amongst the flora. The artist employs a muted palette, favouring soft ochres, pale greens, and subtle blues to evoke a dreamlike atmosphere. His approach to the figure reflects the influence of both Pre-Raphaelite sensibilities and the decorative qualities of Japanese woodblock prints, which were widely collected by artists of his generation. The attention to the structure of the petals and the veins of the leaves demonstrates his background in traditional drawing, while the overall arrangement prioritises a sense of grace and lightness.
Dulac's work for this publication helped define the visual identity of Shakespearean fantasy for contemporary readers. By focusing on the smaller, more intimate details of the play rather than the dramatic spectacle, he invites the viewer to observe the world of the spirit from a close perspective. The print captures the technical precision of his original watercolour, preserving the subtle washes and the fine line work that define his style. This piece remains a representative example of the high standards of production found in the gift books of the Edwardian era, where the synergy between text and image was of primary concern to publishers and illustrators alike.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Tempest: Ariel and the Bee - Edmund Dulac
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