The Torpedo Officer (Suirai shikan) - Kajita Hanko
Archival giclée
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Description
A 1895 woodblock print by Kajita Hanko depicting a naval officer visiting a patient in a hospital ward, originally published in Bungei kurabu.
This woodblock print by Kajita Hanko, titled The Torpedo Officer (Suirai shikan), appeared as a frontispiece in the literary magazine Bungei kurabu in 1895. The image depicts a scene within a hospital ward, capturing a moment of interaction between a naval officer, a nurse, and a patient. The officer, dressed in his dark military uniform, stands near a chair, while the nurse in her white uniform attends to the patient resting in bed. A chart on a stand near the bed suggests a clinical setting, reflecting the medical themes often explored in literature and art during the Sino-Japanese War period.
Kajita Hanko was a prominent figure in the Nihonga tradition, known for his ability to blend traditional Japanese aesthetics with the changing social realities of the Meiji era. His work often appeared in literary publications, where he provided visual narratives that complemented the written stories of the time. The composition is restrained, focusing on the quiet interaction between the figures rather than dramatic action. The use of line is precise, defining the forms of the uniforms and the hospital equipment with clarity. The colour palette is muted, relying on soft tones to convey the atmosphere of the room. This print provides a glimpse into the visual culture of late nineteenth-century Japan, where the influence of Western-style medicine and military modernisation became common subjects for artists.
The print demonstrates the technical skill involved in Meiji-era woodblock production, where artists worked closely with carvers and printers to achieve subtle gradations of colour. The scene is devoid of unnecessary ornamentation, allowing the viewer to focus on the narrative elements. It is a representative example of how Japanese printmaking adapted to document contemporary life, moving beyond traditional subjects to include modern institutions and professional roles.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Torpedo Officer (Suirai shikan) - Kajita Hanko
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