The Town of Pomeiooc - Theodor de Bry
Archival giclée
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Description
A detailed 1590 copperplate engraving by Theodor de Bry, depicting the Secotan village of Pomeiooc based on the observations of John White.
This copperplate engraving by Theodor de Bry depicts the Secotan village of Pomeiooc, located in present-day North Carolina. The work appeared in the 1590 publication 'America', a collection of accounts regarding European exploration of the New World. De Bry based this image on the original watercolour sketches produced by John White, an English artist and explorer who visited the region in 1585.
The composition presents a bird-eye view of the settlement, which is enclosed by a circular palisade of sharpened wooden posts. Within the perimeter, several arched dwellings are arranged around a central open space. A fire burns in the middle of the village, surrounded by figures engaged in communal activity. The engraving includes specific annotations, such as the letters A, B, and C, which correspond to descriptive keys in the original publication. These markers identify specific structures and features of the site, reflecting the European desire to document and categorise the geography and customs of indigenous populations during the late sixteenth century.
The technical execution demonstrates the precision characteristic of de Bry's workshop. The use of fine, controlled lines creates a sense of order and clarity, typical of cartographic and ethnographic illustrations of the period. The surrounding environment, including the forest and nearby water source, is rendered with a similar attention to detail. While the image provides a visual record of the Secotan people, it also carries the stylistic conventions of European printmaking, which often imposed a structured, grid-like perspective upon the subject matter. This print remains a primary source for understanding the historical interaction between European observers and the indigenous cultures of the Atlantic coast of North America.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Town of Pomeiooc - Theodor de Bry
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