The Trinity - Hendrik van Balen
Archival giclée
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Description
A refined Flemish Baroque depiction of the Holy Trinity, featuring God the Father supporting Christ, surrounded by a celestial host of angels.
Hendrik van Balen, a prominent figure in the Antwerp school, produced this depiction of the Holy Trinity during the height of the Flemish Baroque period. The composition follows the traditional iconography of the Throne of Grace, where God the Father supports the body of the crucified Christ, while the Holy Spirit, represented as a dove, descends from above. Van Balen, who served as a teacher to Anthony van Dyck, demonstrates his mastery of small-scale cabinet paintings, a format for which he was widely recognised. The use of copper as a support allows for a smooth surface, enabling the artist to achieve a high degree of detail and luminosity in the pigments.
The scene is crowded with a celestial host of angels and putti, arranged in a semi-circular formation that draws the eye towards the central figures. The Father is depicted in papal vestments, wearing a tiara, which reflects the theological conventions of the Counter-Reformation era. His expression is one of solemnity, mirroring the gravity of the sacrifice of his son. The angels surrounding the central group are engaged in acts of devotion, holding instruments of the Passion or swinging censers, which adds a sense of movement and ritual to the composition.
Van Balen employs a palette dominated by deep reds, golds, and soft blues, creating a contrast between the earthly suffering of Christ and the heavenly realm. The lighting is focused on the central figures, creating a soft glow that emanates from the dove of the Holy Spirit. This work is characteristic of the artist's ability to balance complex theological narratives with a refined, decorative aesthetic. The figures are rendered with anatomical precision, typical of the training provided within the Guild of Saint Luke in Antwerp. This piece remains a clear example of the devotional art produced for private collectors during the early seventeenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Trinity - Hendrik van Balen
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