The Walnut Trees, Interlachen - Francis Frith
Archival giclée
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Description
A nineteenth-century albumen print by Francis Frith, depicting walnut trees in Interlaken, Switzerland, originally featured in an edition of Hyperion.
This albumen print by Francis Frith captures a quiet, rural scene in Interlaken, Switzerland. Frith, a prominent figure in nineteenth-century photography, established his reputation through his extensive travels and his ability to document both architectural sites and natural environments with technical precision. This specific image was included in an edition of Henry Wadsworth Longfellow's novel, Hyperion, which utilised tipped-in photographs to illustrate the narrative settings.
The composition focuses on the dense foliage of the walnut trees, which dominate the frame. The soft, sepia tones characteristic of the albumen process provide a gentle quality to the light filtering through the leaves. Frith utilised the wet collodion process, which required careful preparation of glass plates in the field. This method allowed for the clarity and detail visible in the bark and the individual leaves of the trees.
As a commercial photographer, Frith operated a successful firm that produced numerous views for the growing market of armchair travellers. His work often balanced the requirements of topographical documentation with a keen eye for the picturesque. In this instance, the trees serve as a natural subject, framed by the surrounding meadow. The inclusion of this photograph within a literary volume demonstrates the mid-Victorian interest in integrating visual media with prose to create a more immersive reading experience. The print remains a record of the Swiss landscape as it appeared during the mid-nineteenth century, preserved here in its original book format context.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Walnut Trees, Interlachen - Francis Frith
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