The Woman with a Tambourine - Giovanni Domenico Tiepolo
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A satirical drawing from the Punchinello series by Giovanni Domenico Tiepolo, featuring figures in conical hats observing a centaur and a tambourine player.
This drawing by Giovanni Domenico Tiepolo belongs to his celebrated series depicting the life and adventures of Punchinello. The artist, son of the famous Giambattista Tiepolo, moved away from the grand religious and mythological themes of his father to explore more whimsical, satirical subjects. In this composition, a group of Punchinelli, identifiable by their tall, conical hats and loose-fitting costumes, observe a scene involving a centaur and a woman playing a tambourine. The narrative is ambiguous, typical of the artist's fascination with the absurd and the theatrical.
Tiepolo employs a fluid, calligraphic line combined with delicate brown washes to define the figures and the sparse, arid setting. The light, airy quality of the ink wash creates a sense of depth without the need for heavy shading. The figures are rendered with a light touch, capturing their gestural movements and the slightly grotesque nature of the Punchinello characters. The centaur, a creature from classical mythology, is placed in a contemporary, almost domestic context, which adds to the surreal quality of the work. The composition is balanced, with the figures arranged in a loose semi-circle that draws the eye toward the central interaction. This work demonstrates the artist's technical skill in drawing and his ability to create complex, multi-layered narratives through simple, economical means. It is a fine example of eighteenth-century Venetian draughtsmanship, reflecting the artist's interest in the commedia dell'arte and his unique, imaginative approach to storytelling.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Woman with a Tambourine - Giovanni Domenico Tiepolo
Artist Biography
Giovanni Domenico Tiepolo
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

