Theater Programme and Advertisement for La Revue Blanche - Édouard Vuillard
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Description
A 1894 lithograph by Édouard Vuillard, designed as a promotional programme for the Théâtre de l'Œuvre in Paris, featuring his characteristic gestural style.
This lithograph by Édouard Vuillard serves as a promotional programme for the Théâtre de l'Œuvre, a Parisian venue associated with the avant-garde Nabis group. Created in 1894, the work demonstrates the artist's interest in the intersection of commercial graphic design and fine art. The composition is divided into distinct sections: a top area featuring a stylised, inverted reference to the literary magazine La Revue Blanche, and a lower section detailing the programme for three plays: Frères, La Gardienne, and Créanciers.
Vuillard employs a muted, earthy palette consistent with his broader body of work. The visual language is sparse, relying on gestural marks and silhouettes to suggest figures and atmospheric settings. The inclusion of typography as a structural element reflects the Nabis' interest in Japanese woodblock prints, where text and image occupy the same pictorial plane. The inverted text at the top creates a sense of playfulness, challenging the viewer to engage with the orientation of the print. The lower portion features evocative, sketch-like vignettes that capture the mood of the theatrical productions rather than providing literal illustrations. This piece offers a glimpse into the collaborative spirit of the Parisian art scene at the end of the nineteenth century, where painters, writers, and theatre directors worked in close proximity to define a new aesthetic language. The work remains a significant example of how ephemeral materials, such as theatre programmes, were elevated through the participation of major artists of the period.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Theater Programme and Advertisement for La Revue Blanche - Édouard Vuillard
Artist Biography
Edouard Vuillard
He joined the Nabis in the early 1890s, a group of young painters who took their name from the Hebrew word for prophets. The others (Bonnard, Denis, Serusier) were drawn to mysticism and esoteric philosophy. Vuillard was drawn to the interior. His mother's workroom, with its bolts of fabric, wallpaper patterns, and women in patterned dresses, became his subject. The paintings flatten space: the figure merges with the wallpaper, the dress dissolves into the upholstery, the room becomes a single surface of competing patterns. Critics called the approach Intimism.
He painted almost exclusively domestic scenes: rooms, tables, women sewing, women reading. The scale is modest. The colours are muted. There is no drama, no allegory, no mythology. The work assumes that a woman sitting in a chair in a room with good light is enough to make a painting, which it is.
He never married. He lived with his mother until she died and then lived alone. In the late twentieth century, historians began to reassess his decorative work (screens, murals, theatre sets for Lugne-Poe's Theatre de l'Oeuvre) and recognised that the small domestic paintings were not minor work but a deliberate programme: the interior as a subject equal to landscape or history.
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