Their Sitting at Meat - Theodor de Bry
Archival giclée
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Description
A detailed copperplate engraving by Theodor de Bry, depicting an indigenous couple at a meal, originally published in 1590.
This copperplate engraving, titled Their Sitting at Meat, is a work by the Flemish engraver Theodor de Bry. It was produced for the 1590 publication of Thomas Hariot's A Briefe and True Report of the New Found Land of Virginia. The image depicts an indigenous couple from the Secotan people of North Carolina, seated on a woven mat while consuming a meal.
The composition is structured around a central vessel containing food, with the figures positioned in profile and three-quarter view. De Bry utilised precise line work to render the anatomical details of the figures, their traditional garments, and the surrounding items, which include a gourd, a fish, and maize. The background is minimal, focusing the viewer's attention on the domestic activity of the subjects.
As an engraver, de Bry worked from the watercolour drawings of John White, who had accompanied the 1585 expedition to Roanoke. While White's original drawings were intended as observational records, de Bry's engravings adapted these images for a European audience. He introduced stylistic conventions common to late sixteenth-century European printmaking, such as the specific posture and musculature of the figures, which reflect the aesthetic preferences of the period rather than purely objective documentation. This print remains a significant example of early European visual engagement with the Americas, providing insight into the methods by which information about the New World was disseminated through the medium of print during the late Renaissance.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Their Sitting at Meat - Theodor de Bry
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