Thirty-six Views of Yedo: Shitaya Nirokoji - Utagawa Hiroshige II
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Utagawa Hiroshige II, depicting pedestrians caught in a rain shower in the Shitaya district of Edo.
This woodblock print is part of the series 'Thirty-six Views of Yedo', produced by Utagawa Hiroshige II in 1862. The artist, a student and successor to the famous Utagawa Hiroshige, captures a scene of daily life in the Shitaya district of Edo, modern-day Tokyo. The composition is defined by a sudden rain shower, a recurring motif in the Ukiyo-e tradition that allows the artist to experiment with atmospheric effects and the depiction of water.
In the foreground, two figures navigate the wet street, their bodies angled against the downpour. They carry traditional paper umbrellas, which provide a geometric contrast to the soft, diagonal lines of the rain. The colour palette is restrained, relying on muted greys and earthy tones to convey the damp, overcast conditions of the day. In the background, the architecture of the district is rendered with simplified forms, while a small grove of trees adds a touch of natural colour to the scene. Other pedestrians are visible in the distance, their yellow umbrellas creating small points of visual interest across the composition.
Hiroshige II maintains the stylistic conventions of his master, yet he brings his own sensibility to the depiction of urban space. The print demonstrates a clear focus on the interaction between human activity and the environment. The use of woodblock printing techniques allows for the subtle layering of colour and the precise definition of line, which are characteristic of the period. This work offers a glimpse into the social fabric of nineteenth-century Japan, documenting the mundane yet visually arresting moments of city life. The print is a fine example of the technical skill required to produce multi-block colour prints during the late Edo period, reflecting the aesthetic values of the time without relying on excessive ornamentation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Thirty-six Views of Yedo: Shitaya Nirokoji - Utagawa Hiroshige II
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