Thirty-six Views of Yedo: Takinogawa Koyo - Utagawa Hiroshige II
Archival giclée
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Description
A classic 1862 Ukiyo-e woodblock print by Utagawa Hiroshige II, capturing the autumn foliage and river scenery of Takinogawa in Edo.
This woodblock print is part of the series 'Thirty-six Views of Yedo', produced by Utagawa Hiroshige II in 1862. The composition depicts the Takinogawa area during the autumn season, a location celebrated for its maple trees and scenic river valley. The artist employs a vertical format to capture the steep, ochre-toned cliffs that frame the winding blue water below. A small wooden bridge connects the banks, providing a sense of scale against the natural topography.
In the foreground, a teahouse structure with a thatched roof offers a space for visitors to observe the changing foliage. The colour palette relies on the contrast between the deep blue of the stream and the warm, autumnal tones of the maple leaves. The print demonstrates the technical conventions of the Ukiyo-e tradition, including the use of cartouches for the series title and the specific location name. The sky is rendered with a subtle gradient, a technique common in mid-nineteenth-century Japanese printmaking to suggest atmospheric depth.
Utagawa Hiroshige II, a student of the master Utagawa Hiroshige, continued the production of topographical prints that documented the environs of Edo. This work reflects the period's interest in travel and the appreciation of seasonal beauty. The print is characterised by clean lines and a balanced arrangement of architectural and natural elements. It provides a view into the aesthetic preferences of the late Edo period, where the depiction of famous sites served both as a record of geography and a source of visual pleasure for the urban population.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Thirty-six Views of Yedo: Takinogawa Koyo - Utagawa Hiroshige II
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