Three Whites (Sanpaku no Fuji) - Katsushika Hokusai
Archival giclée
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Description
A refined woodblock print by Katsushika Hokusai, featuring a heron amidst snow-covered pine branches with Mount Fuji in the background.
This woodblock print is a page from the second volume of Hokusai's celebrated series, One Hundred Views of Mount Fuji (Fugaku hyakkei). The title, Sanpaku no Fuji, translates to Three Whites, referring to the convergence of three distinct white elements within the composition: the snow-capped peak of Mount Fuji, the plumage of the heron, and the snow resting upon the pine branches.
Hokusai employs a monochromatic palette, relying on the subtle interplay of line and negative space to define the scene. The heron stands in the foreground, its form rendered with precise, delicate strokes that capture the texture of its feathers. The pine branches, heavily laden with snow, frame the bird and provide a textured contrast to the smooth, expansive silhouette of the mountain rising in the background. The composition is balanced, using the diagonal line of the mountain slope to guide the eye across the frame.
Published during the artist's later years, this work demonstrates his mastery of the woodblock medium. By limiting the colour range, Hokusai directs attention to the structural harmony of the natural elements. The print reflects his interest in capturing the essence of the Japanese landscape through a refined, graphic approach. The absence of heavy pigment allows the paper grain to contribute to the overall atmosphere, suggesting a quiet, winter morning. This piece remains a clear example of the artist's ability to synthesise observation with formal design, creating a balanced image that avoids unnecessary detail while maintaining a sense of natural presence.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Three Whites (Sanpaku no Fuji) - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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