Tile from a Frieze - Fine Art Print
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A detailed reproduction of a historical ceramic tile featuring raised Arabic calligraphy and scrolling vegetal patterns in cobalt and turquoise.
This piece represents a fragment of a larger architectural frieze, likely originating from a religious or public structure within the Ilkhanid or Timurid periods of Persian history. The object displays the technical mastery of ceramic production common to the era, utilising a combination of relief moulding and underglaze painting. The primary visual element is a large-scale Arabic inscription rendered in a bold, raised script. This calligraphy is set against a dense, scrolling vegetal background, which provides a textural contrast to the smooth, elevated letters.
The colour palette relies on a classic combination of cobalt blue and turquoise, set against a cream or white ground. These pigments were standard for high-quality architectural ceramics of the period, chosen for their stability during the firing process and their visual clarity when viewed from a distance. The upper border contains a secondary, smaller band of script, which suggests the tile was positioned at eye level or slightly above, allowing viewers to read the text as part of a continuous narrative or devotional sequence.
Beyond the script, the surface is decorated with fine, swirling floral motifs that fill the negative space. This approach to surface decoration avoids empty areas, creating a sense of visual unity across the architectural surface. The relief work on the letters adds a physical dimension to the tile, catching the light and creating shadows that define the contours of the characters. Such tiles were often produced in workshops where artisans specialised in the coordination of geometry, calligraphy, and chemistry. This print captures the weathered texture of the original ceramic, preserving the historical character of the glaze and the precise execution of the calligraphic forms.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tile from a Frieze - Fine Art Print
Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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