Title Page (Amoenissimae aliquot Regiunculae) - Jan van de Velde II
Archival giclée
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Description
A 1615 etching by Jan van de Velde II, featuring a classical stone monument set within a rural Dutch landscape.
This etching serves as the title page for the series 'Amoenissimae aliquot Regiunculae', published in Amsterdam in 1615. Jan van de Velde II, a master of the Dutch Golden Age, demonstrates his technical proficiency in this work. The composition centres on a classical, hexagonal structure that functions as a stone tablet, bearing the Latin inscription that identifies the artist and the publisher, Nicolaes Visscher.
The scene is set within a rural environment, typical of the period's interest in topography and the Dutch countryside. To the foreground, small figures are depicted in a relaxed manner, providing a sense of scale to the architectural element. The surrounding trees and foliage are rendered with fine, rhythmic lines, characteristic of Van de Velde's approach to etching. In the distance, the suggestion of further ruins and a low horizon line draws the eye across the paper, creating a sense of atmospheric depth without relying on complex perspective.
Van de Velde was known for his ability to capture the texture of stone, earth, and vegetation through varied line weights and cross-hatching. The architectural form, with its arched windows and sturdy masonry, contrasts with the organic, flowing lines of the trees. This work reflects the seventeenth-century Dutch fascination with the intersection of human construction and the natural world. The print is a fine example of the period's graphic output, where the title page was not merely functional but an opportunity for the artist to display his skill in composition and printmaking technique. The clarity of the lettering against the textured stone surface demonstrates the precision required in early seventeenth-century print production.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Title Page (Amoenissimae aliquot Regiunculae) - Jan van de Velde II
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