Titlepage (Verscheyden aerdige Lanthuysen) - Claes Jansz. Visscher
Archival giclée
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Description
A 1620 title page etching by Claes Jansz. Visscher, featuring allegorical rural imagery and intricate cartouche design for a series by Abraham Bloemaert.
This etching serves as the title page for a series of prints by Abraham Bloemaert, published by the Dutch engraver and cartographer Claes Jansz. Visscher in 1620. The composition functions as an allegorical introduction to a collection of rural scenes, titled 'Verscheyden aerdige Lanthuysen'. Visscher, a central figure in the Amsterdam print trade, employed a dense, descriptive style to frame the title text within a cartouche.
The imagery draws upon the iconography of rural life. A male and female figure, representing the agrarian population, occupy the centre of the frame. They are surrounded by the tools of their trade: a scythe, a rake, a basket, and a water vessel. A horse and a cow flank the figures, grounding the scene in the reality of the Dutch countryside. The cartouche itself is decorated with grotesque elements, a common feature in Northern Mannerist design, which adds a layer of artifice to the rustic subject matter. The text clearly identifies the collaboration between Bloemaert and Visscher, noting the place of publication as Amsterdam.
The technical execution demonstrates the precision typical of Visscher's workshop. The lines are fine and controlled, allowing for a high degree of detail in the textures of the animals, the woven baskets, and the folds of the figures' clothing. The contrast between the dark, shadowed areas and the lighter, central cartouche directs the viewer's eye to the title. This print is a fine example of the commercial print culture in the Netherlands during the early seventeenth century, where artists and publishers worked in close cooperation to produce series of images for a growing market of collectors and enthusiasts. The work remains a clear record of the aesthetic preferences of the period, combining technical skill with a thematic interest in the rural environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Titlepage (Verscheyden aerdige Lanthuysen) - Claes Jansz. Visscher
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