Tribunaal in Perzië; Khoikhoi en Guineërs - Romeyn de Hooghe
Archival giclée
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Description
A detailed seventeenth-century etching by Romeyn de Hooghe, featuring a dual-panel composition of a Persian tribunal and ethnographic scenes of African inhabitants.
This etching by Romeyn de Hooghe, a prolific Dutch artist of the late seventeenth century, presents a dual-panel composition typical of the ethnographic and historical documentation popular in the period. The left panel depicts a Persian tribunal, rendered with architectural precision and a focus on the formal hierarchy of the court. The right panel shifts to a depiction of Khoikhoi and Guinean inhabitants, reflecting the European fascination with global exploration and the classification of distant cultures during the era of the Dutch East India Company.
De Hooghe employs a precise, linear technique to delineate the figures and settings. The work functions as a visual record, incorporating numbered keys at the top of each scene to guide the viewer through the specific elements of the narrative. The contrast between the structured, interior setting of the Persian court and the open, exterior environment of the African coastal scene demonstrates the artist's ability to manage complex spatial arrangements within a single plate.
As a master of the etching medium, de Hooghe captures textures ranging from the heavy drapery of the judicial officials to the naturalistic rendering of the landscape. The work provides a window into the European perspective on global geography and social order at the turn of the eighteenth century. It is a characteristic example of the illustrative style found in the travelogues and encyclopaedic volumes published in Leiden during this time. The print remains a valuable document for those interested in the history of cartography, colonial history, and the development of printmaking techniques in the Netherlands.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tribunaal in Perzië; Khoikhoi en Guineërs - Romeyn de Hooghe
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