Triomfboog in latwerk met drie doorgangen - Daniël Marot (I)
Archival giclée
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Description
A detailed etching by Daniël Marot (I) depicting a grand, formal triumphal arch constructed from trelliswork, characteristic of early eighteenth-century garden design.
This etching by Daniël Marot (I) depicts a grand triumphal arch constructed from trelliswork, a signature element of the formal garden designs popularised during the late seventeenth and early eighteenth centuries. Marot, a French-born architect and engraver who settled in the Netherlands, was instrumental in disseminating the Louis XIV style across Northern Europe. His work often focused on the integration of interior design, furniture, and garden architecture, reflecting the structured, symmetrical aesthetic of the period.
The composition features a central archway flanked by two smaller openings, all framed by elaborate lattice structures. The precision of the line work captures the geometric patterns of the trellis, while the inclusion of a solitary figure provides a sense of scale to the monumental structure. Beyond the arch, a formal garden vista unfolds, complete with manicured hedges and pathways that recede into the distance. The use of light and shadow, achieved through varied hatching techniques, gives the structure a three-dimensional quality, typical of the high-Baroque print tradition.
Marot's designs were frequently published in collections intended for architects, garden designers, and craftsmen. This specific print demonstrates his ability to translate complex architectural concepts into clear, reproducible forms. The arch itself is adorned with decorative motifs, including cartouches and finials, which exemplify the ornamental rigour of the era. By focusing on the interplay between built form and natural space, Marot created a vision of order that defined the aristocratic gardens of the time. This print remains a valuable record of the aesthetic priorities of the period, documenting the transition from purely functional garden structures to highly decorative, architectural features that served as visual anchors within a larger estate.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Triomfboog in latwerk met drie doorgangen - Daniël Marot (I)
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