Triptych: Beauties on Verandah Admiring Iris Pond - Katsukawa Shunkō
Archival giclée
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Description
A refined ukiyo-e triptych by Katsukawa Shunkō depicting women gathered on a verandah overlooking an iris pond, rendered in soft, traditional tones.
This triptych by Katsukawa Shunkō captures a scene of leisure within a traditional Japanese architectural setting. The composition spans three sheets, depicting a group of women gathered on a wooden verandah that overlooks a garden pond filled with irises. The artist employs a refined line quality to delineate the figures, whose kimonos feature varied patterns, and the structural elements of the building, such as the sliding shoji screens and the railed walkway.
Shunkō, a student of Katsukawa Shunshō, is recognised for his contributions to the ukiyo-e genre, particularly his depictions of actors and women. In this work, the spatial arrangement creates a sense of depth as the eye moves from the foreground figures on the verandah to the more distant figures near the water. The palette is restrained, relying on soft earth tones, muted pinks, and subtle ochres, which align with the aesthetic conventions of the late eighteenth century. The figures are positioned in naturalistic poses, engaged in conversation or observation, which provides a glimpse into the social customs of the period.
The print demonstrates the technical precision required for multi-sheet woodblock production. Each panel aligns to form a cohesive narrative, balancing the architectural geometry with the organic forms of the garden. The absence of heavy outlines allows the figures to integrate with the environment, maintaining a sense of balance across the entire composition. This work serves as an example of the bijin-ga style, which focused on the representation of beautiful women in various settings, often reflecting the fashions and cultural interests of the Edo period. The attention to detail in the clothing and the surrounding environment provides insight into the material culture of the time, while the overall composition maintains a quiet, observational quality.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Triptych: Beauties on Verandah Admiring Iris Pond - Katsukawa Shunkō
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