Tul-lock-chísh-ko, Drinks the Juice of the Stone (Choctaw) - George Catlin
Archival giclée
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Description
A portrait of a Choctaw man holding lacrosse sticks, painted by George Catlin in 1834.
George Catlin painted this portrait of Tul-lock-chísh-ko, a Choctaw man, during his travels through the American West in the 1830s. The subject is depicted in profile, holding two lacrosse sticks, which were central to the traditional ball-play games of the Choctaw people. The figure wears red body paint, a fringed belt, and a white tail ornament, all rendered with the observational focus that defined Catlin's career.
Catlin travelled extensively to document the lives and customs of indigenous North American peoples before their cultures were further altered by westward expansion. His approach combined ethnographic documentation with the aesthetic conventions of nineteenth-century portraiture. The background is a soft, atmospheric wash, which directs the viewer's attention to the subject's posture and equipment. The painting is part of the Smithsonian American Art Museum's collection, which holds a large portion of Catlin's Indian Gallery.
This work provides a visual record of Choctaw attire and athletic equipment from the early nineteenth century. The composition is straightforward, focusing on the individual as a representative of his culture. Catlin's use of colour, particularly the contrast between the red pigments and the white feathers, creates a clear visual hierarchy. The painting remains a primary source for historians interested in the material culture of the Choctaw nation during this period. The work is presented here as a high-quality fine art print, capturing the textures of the original oil paint and the specific details of the subject's regalia.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tul-lock-chísh-ko, Drinks the Juice of the Stone (Choctaw) - George Catlin
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