Twee gedenkpenningen op de Beurs van Zocher te Amsterdam - Jan Dam Steuerwald
Archival giclée
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Description
A precise nineteenth-century engraving by Jan Dam Steuerwald documenting commemorative medals for the Beurs van Zocher in Amsterdam.
This engraving by Jan Dam Steuerwald documents the commemorative medals struck to mark the opening of the Beurs van Zocher in Amsterdam. The building, designed by the architect Jan David Zocher, was a significant addition to the city's commercial infrastructure during the mid-nineteenth century. Steuerwald, a Dutch engraver, captures the precise details of the medals, which feature both the architectural facade of the exchange and allegorical figures representing trade and commerce.
The composition is minimalist, presenting the four sides of the two medals against a clean, neutral background. This arrangement allows the viewer to examine the relief work and the inscriptions with clarity. The engraving technique employed by Steuerwald demonstrates a high level of technical control, particularly in the rendering of the metallic surfaces and the fine lettering of the inscriptions. The work serves as a historical record of the civic pride associated with the new exchange building, which was a centre for mercantile activity in Amsterdam.
Jan Dam Steuerwald was active during a period when such commemorative prints were common for documenting public works and civic milestones. His work reflects the formal, disciplined aesthetic of the era, where accuracy and clarity were prioritised over expressive flourish. The print provides a window into the intersection of numismatics, architecture, and printmaking in the Netherlands during the 1840s. By isolating these objects on the page, the artist invites a focused study of the craftsmanship involved in medal design, as well as the architectural vision of Zocher. This piece is an excellent example of nineteenth-century documentary printmaking, offering a precise visual account of a structure that played a role in the economic life of Amsterdam.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Twee gedenkpenningen op de Beurs van Zocher te Amsterdam - Jan Dam Steuerwald
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