Twee schepen: een waterschip en een waterschuit - Reinier Nooms
Archival giclée
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Description
A detailed seventeenth-century etching by Reinier Nooms depicting two traditional Dutch vessels, showcasing the artist's technical precision in maritime illustration.
Reinier Nooms, often known by his nickname Zeeman, was a Dutch maritime painter and etcher whose work provides a precise record of seventeenth-century naval architecture. This etching depicts two distinct vessel types, a waterschip and a waterschuit, positioned on calm water. The composition is characteristic of Nooms, who prioritised technical accuracy over dramatic flair. The artist employs a delicate, controlled line to define the rigging, the texture of the sails, and the wooden hulls of the boats.
In the foreground, the waterschuit is rendered with particular attention to the deck details and the figures of the crew. The background remains sparse, allowing the viewer to focus on the structural differences between the two craft. Nooms spent much of his life at sea, and this experience informs the authenticity of his depictions. Unlike many of his contemporaries who focused on naval battles or stormy seas, Nooms preferred the quiet observation of everyday commercial and transport vessels.
The etching technique allows for subtle tonal variations in the water and sky, achieved through fine hatching and cross-hatching. The inclusion of the Dutch text at the base of the print identifies the specific types of ships, reflecting the didactic nature of many maritime print series from this period. This work is part of a larger collection of prints by Nooms that documented the variety of ships found in the harbours and coastal waters of the Netherlands. The print remains a valuable resource for maritime historians, offering a clear view of the rigging and hull designs that were common in the mid-seventeenth century. The restraint in the composition ensures that the focus remains on the vessels themselves, presented with a clarity that is typical of the Dutch Golden Age approach to maritime documentation.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Twee schepen: een waterschip en een waterschuit - Reinier Nooms
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