Twee uilen op een muur - Theo van Hoytema
Archival giclée
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Description
A refined lithograph by Theo van Hoytema featuring two owls perched on a brick wall, rendered in the distinctive graphic style of Dutch Art Nouveau.
Theo van Hoytema was a Dutch artist known for his lithographic work, particularly his depictions of birds and animals. This print, titled Twee uilen op een muur, displays his characteristic approach to natural history illustration, which blends scientific observation with the decorative sensibilities of the Art Nouveau period. The composition features two owls perched upon a brick wall, rendered with a focus on the texture of their plumage and the surrounding ivy.
Van Hoytema often utilised lithography to produce works that were accessible to a wider audience, frequently incorporating his illustrations into calendars and books. His style is defined by clear outlines and a controlled palette, which allows the subjects to emerge from the background with clarity. The inclusion of the peacock feathers to the right of the owls introduces a contrasting element, suggesting a narrative or symbolic interaction common in his work. The brickwork and foliage provide a structured environment, grounding the figures while maintaining a flat, graphic quality that is typical of late nineteenth-century printmaking.
This piece demonstrates the artist's ability to capture the character of his subjects through precise line work and subtle colour application. The muted tones of the brick and the natural hues of the birds create a balanced visual experience. As a practitioner of the Dutch Art Nouveau style, Van Hoytema moved away from purely realistic representation, opting instead for a stylised interpretation that prioritises form and pattern. This print is a representative example of his contribution to the graphic arts, reflecting a period when the boundaries between fine art and illustration were increasingly fluid. The work remains a study in the balance between natural observation and decorative design, executed with the technical proficiency that defined his career.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Twee uilen op een muur - Theo van Hoytema
Artist Biography
Theo Van Hoytema
Van Hoytema's career took an unexpected turn when he became deeply involved with the Theosophical Society. This spiritual quest profoundly influenced his art, leading him to explore themes of interconnectedness and the underlying unity of all living things. His designs became more symbolic, reflecting his belief in a hidden order within nature. Despite facing financial struggles throughout his life, Van Hoytema remained committed to his artistic vision, producing a body of work that continues to enchant and inspire.
Though he died in relative obscurity in 1917, Theo van Hoytema's legacy has experienced a well-deserved revival. His prints, particularly those featuring storks, owls, and other birds, are now highly sought after by collectors and art enthusiasts. They offer a glimpse into a world where nature is both beautiful and deeply meaningful, a testament to Van Hoytema's unique artistic vision and his unwavering dedication to his craft.
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