Twee voorstellingen van vrouwen met manden - Carel Nicolaas Storm van 's-Gravesande
Archival giclée
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Description
A unique etching by Dutch artist Carel Nicolaas Storm van 's-Gravesande featuring two studies of women with baskets, one upright and one inverted.
This etching by the Dutch artist Carel Nicolaas Storm van 's-Gravesande presents a curious compositional arrangement. It features two distinct studies of women carrying baskets, placed within the same frame. One figure is oriented upright, positioned on a quay overlooking a harbour with small boats and buildings in the distance. The second figure is inverted, appearing as if reflected or perhaps representing a separate sketch placed on the same plate. The artist, a member of the Hague School, was known for his technical proficiency in printmaking, particularly in his ability to capture atmospheric effects and the quietude of coastal life.
The work demonstrates the characteristic economy of line associated with the etching medium. Storm van 's-Gravesande uses sparse, deliberate strokes to define the forms of the women, their heavy baskets, and the distant architectural silhouettes. The contrast between the solid, grounded figure on the right and the floating, inverted figure on the left creates a visual tension that is typical of experimental printmaking from this period. The background is rendered with minimal detail, allowing the focus to remain on the human subjects and their daily labour.
As a practitioner who spent significant time in both the Netherlands and France, Storm van 's-Gravesande absorbed various influences, yet he maintained a distinct interest in the graphic qualities of the Dutch coastline. This print offers a glimpse into the artist's process, where multiple observations or compositional ideas were often grouped together on a single sheet. The work is a fine example of late nineteenth-century European printmaking, reflecting a period when artists moved away from rigid academic standards toward more personal, observational styles. The print is held in the collection of the Rijksmuseum, reflecting its status as a representative work of the artist's graphic output.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Twee voorstellingen van vrouwen met manden - Carel Nicolaas Storm van 's-Gravesande
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