Two Girls in the Rain - Suzuki Harunobu
Archival giclée
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Description
A classic nishiki-e woodblock print by Suzuki Harunobu, depicting two women sharing an umbrella during a rain shower.
Suzuki Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colours in a single woodblock composition. This print depicts two women navigating a rain shower, a subject that allows the artist to demonstrate his mastery of atmospheric effects and delicate line work. The figures are rendered with the slender, ethereal proportions characteristic of Harunobu's work during the mid-Edo period.
The composition relies on a subtle balance between the figures and the architectural elements. One woman holds a large yellow umbrella, providing shelter for both as they walk past a wall. The rain is represented by thin, vertical lines that cut across the scene, creating a sense of movement and weather. The colour palette is restrained, using soft tones of pink, yellow, and muted greys to maintain a sense of harmony. The patterns on their kimonos are rendered with precision, showing the attention to detail that defined the ukiyo-e genre.
Harunobu often focused on the daily lives of women in Edo, capturing moments of quiet activity. This print avoids dramatic action, opting instead for a lyrical representation of a fleeting moment. The use of negative space and the simplified background ensure that the focus remains on the interaction between the two figures. As a fine art print, this piece offers a glimpse into the aesthetic values of 18th-century Japan, where the depiction of beauty and seasonal change held a central place in the artistic output of the time. The print is a representative example of the technical advancements in colour printing that occurred under Harunobu's influence, moving away from the limited palettes of earlier eras.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Girls in the Rain - Suzuki Harunobu
Artist Biography
Suzuki Harunobu
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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