Two Houses under a Viaduct - Charles E. Burchfield
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Description
A 1921 watercolour by Charles E. Burchfield depicting two weathered houses viewed from beneath a dark railway viaduct.
Charles E. Burchfield created this watercolour in 1921, a period when his work shifted from the imaginative, rhythmic abstractions of his youth toward a more grounded, observational style. The composition captures a quiet, industrial corner of an American town, viewed from the shadowed vantage point beneath a heavy railway viaduct. The dark, solid masonry of the bridge structure frames the scene, forcing the eye toward the two wooden buildings bathed in pale, diffused light.
Burchfield employs a restrained palette of greys, browns, and muted ochres to convey the weathered texture of the clapboard siding and the worn cobblestones. The buildings appear abandoned or forgotten, with empty window frames and a pile of discarded timber resting against a picket fence. The artist uses graphite to define the architectural edges, while the watercolour washes provide depth and atmosphere. The contrast between the oppressive, dark foreground and the sunlit buildings creates a sense of stillness.
This work reflects the artist's interest in the mundane aspects of the American environment. He avoids romanticising the scene, choosing instead to document the physical reality of small-town life during the early twentieth century. The perspective is deliberate, placing the viewer in a position of observation, looking out from the shelter of the viaduct into the open space beyond. The technical execution demonstrates his control over the medium, using thin washes to suggest the play of light across the wooden surfaces. This piece is a representative example of his ability to find visual interest in the overlooked corners of urban architecture, focusing on the interplay of shadow and structure.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Houses under a Viaduct - Charles E. Burchfield
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