Two Poems (Calligraphy on Fan) - Shen Shi
Archival giclée
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Description
A refined example of Ming Dynasty semi-cursive calligraphy by Shen Shi, presented on a traditional gold-flecked folding fan.
This work by Shen Shi (1488-1544) presents a fine example of Ming Dynasty calligraphy executed on a folding fan format. Shen Shi, a scholar-official from the Wu region, was known for his mastery of various scripts. The fan format dictates the composition, requiring the artist to arrange the characters in a radial pattern that follows the physical folds of the paper. The ink is applied with a fluid, rhythmic motion, demonstrating the artist's control over the brush. The characters are written in a semi-cursive script, which allows for a degree of spontaneity while maintaining the structural integrity required for legibility.
The paper itself is gold-flecked, a common luxury material for fan painting and calligraphy during the period. This choice of ground provides a subtle texture that interacts with the black ink, creating a visual contrast between the metallic surface and the dark, gestural strokes. The arrangement of the text follows the traditional right-to-left orientation, with the columns of characters expanding outward as they move across the fan. The artist's seals are present, providing authentication and linking the work to the broader tradition of scholar-artists who used the fan as a medium for personal expression and social exchange.
In the context of Chinese art history, the fan was not merely a functional object but a canvas for literary and artistic display. Shen Shi's work here reflects the aesthetic values of the Wu School, which prioritised elegance, restraint, and a deep connection to classical literary traditions. The poems inscribed on the fan likely address themes of nature, solitude, or the passage of time, common subjects for literati artists. The preservation of such works allows for an examination of the intersection between poetry and visual art, where the form of the character is as important as the meaning of the words themselves.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Two Poems (Calligraphy on Fan) - Shen Shi
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