Fine Art Framed
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Archival giclée
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A detailed seventeenth-century etching by Jan van de Velde II documenting the 1632 Spanish military retreat from Maastricht during the Eighty Years' War.
This print by Jan van de Velde II documents the departure of the Spanish army from Maastricht in 1632, a significant event during the Eighty Years' War. The work functions as a visual chronicle, combining cartographic elements with narrative scenes of military movement. Van de Velde, a skilled engraver from the Dutch Golden Age, employs a precise line to capture the logistical reality of the retreat. The composition is divided into distinct registers, with the upper section featuring a key and directional markers, while the central area depicts the soldiers, horses, and supply wagons in transit. The lower portion contains extensive Dutch text, providing a detailed account of the events surrounding the siege and the subsequent withdrawal of Spanish forces under the command of the Prince of Orange. The visual style reflects the period's interest in reportage and historical documentation. The figures are rendered with a focus on costume and equipment, offering insight into the military fashion of the early seventeenth century. The use of etching allows for a high degree of detail, from the individual expressions of the soldiers to the textures of the wagons and landscape features. This print was published in Amsterdam by Claes Jansz Visscher, a prominent figure in the print trade who often collaborated with artists to produce works that satisfied the public appetite for news and political commentary. The work is not merely an artistic endeavour but a piece of contemporary media, designed to inform the viewer about the shifting power dynamics in the Low Countries. Its inclusion of both text and image provides a comprehensive record of the military manoeuvres, making it a valuable resource for understanding the intersection of art and history in the seventeenth century.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
From $130
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
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