Under the Trees (from The Public Gardens) - Édouard Vuillard
Archival giclée
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Description
A scene from Édouard Vuillard's Public Gardens series, featuring a flattened, decorative composition of figures beneath a canopy of trees.
Édouard Vuillard produced this work as part of a series commissioned by Alexandre Natanson for his dining room in Paris. The series, titled The Public Gardens, captures the quiet, everyday activities of Parisians in urban green spaces. Vuillard, a member of the Nabis group, rejected traditional perspective in favour of flattened planes and decorative patterns. This approach is evident in the way the tree trunks create a rhythmic, vertical structure across the canvas, while the foliage forms a dense, textured canopy above.
The composition relies on a muted, earthy palette, punctuated by the distinct blue of the child's coat in the foreground. Vuillard uses distemper, a medium consisting of pigment mixed with glue size, which results in a matte, chalky surface. This choice of material contributes to the overall sense of stillness and intimacy. The figures are integrated into the environment, their forms partially obscured or merged with the dappled light and shadow of the park. Rather than focusing on individual portraits, the artist observes the collective atmosphere of the scene.
By simplifying forms and emphasising the two-dimensional surface, Vuillard invites the viewer to engage with the texture and colour relationships of the work. The repetition of the trees and the scattered figures creates a sense of continuity, suggesting a moment captured in time. This print captures the specific aesthetic of the Nabis, where the boundaries between fine art and decorative design are blurred. The work remains a study of light, pattern, and the quiet rhythms of public life in late nineteenth-century France.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Under the Trees (from The Public Gardens) - Édouard Vuillard
Artist Biography
Edouard Vuillard
He joined the Nabis in the early 1890s, a group of young painters who took their name from the Hebrew word for prophets. The others (Bonnard, Denis, Serusier) were drawn to mysticism and esoteric philosophy. Vuillard was drawn to the interior. His mother's workroom, with its bolts of fabric, wallpaper patterns, and women in patterned dresses, became his subject. The paintings flatten space: the figure merges with the wallpaper, the dress dissolves into the upholstery, the room becomes a single surface of competing patterns. Critics called the approach Intimism.
He painted almost exclusively domestic scenes: rooms, tables, women sewing, women reading. The scale is modest. The colours are muted. There is no drama, no allegory, no mythology. The work assumes that a woman sitting in a chair in a room with good light is enough to make a painting, which it is.
He never married. He lived with his mother until she died and then lived alone. In the late twentieth century, historians began to reassess his decorative work (screens, murals, theatre sets for Lugne-Poe's Theatre de l'Oeuvre) and recognised that the small domestic paintings were not minor work but a deliberate programme: the interior as a subject equal to landscape or history.
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