Untitled (Crosstown Bus Magazine Poster) - James McCracken Jr.
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A 1967 graphic poster design by James McCracken Jr. featuring a central profile surrounded by dense, organic line work in a distinct psychedelic style.
This graphic work by James McCracken Jr. dates to 1967, a period defined by the emergence of psychedelic aesthetics in American visual culture. The composition functions as a poster for a publication titled Crosstown Bus Magazine. It employs a stark contrast between a central, semi-abstract figure and an elaborate, dense border.
The central panel features the profile of a human head, from which long, flowing lines emerge to fill the space. These lines suggest movement or hair, creating a sense of fluidity that contrasts with the rigid, geometric lettering at the top and bottom of the frame. The background of this central section uses a muted, dark tone, allowing the white lines to appear luminous.
Surrounding this central area is a frame of high-density, organic line work. This border consists of interconnected, amoebic shapes and swirling patterns that fill every available space. This style reflects the influence of underground comix and the broader counter-culture graphic design of the late 1960s, where artists often filled margins with obsessive, repetitive detail. The lettering for the title and the word Magazine is integrated into the design with a clean, sans-serif approach, providing a necessary anchor for the viewer amidst the surrounding visual complexity.
McCracken uses a limited palette of black and white, which forces the viewer to focus on the interplay of positive and negative space. The work demonstrates a clear interest in the tension between structured typography and free-form illustration. By separating the design into distinct zones, the artist manages to balance the chaotic energy of the border with the clarity required for a functional magazine cover or promotional poster. This piece remains a representative example of the graphic experimentation common in independent publishing during the late 1960s.
You might also like
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Untitled (Crosstown Bus Magazine Poster) - James McCracken Jr.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like