Untitled (Embroidered Textile Cover, Cotton) - Fine Art Print
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A detailed reproduction of a traditional embroidered cotton cover, featuring a repeating floral motif in red and dark tones.
This textile piece displays a traditional approach to surface decoration, characterised by a repeating motif of stylised floral forms. The design relies on a rhythmic arrangement of these botanical shapes, which are distributed across a natural-toned cotton ground. The embroidery work utilises a limited palette, focusing on the contrast between the saturated red of the petals and the darker, muted tones of the stems and leaves.
The construction of the piece reveals its functional origins, with visible seams indicating that multiple panels of fabric were joined to create the final cover. This method of assembly is common in historical textile production, where the width of hand-loomed cloth necessitated piecing to achieve larger dimensions. The border sections, which feature a more dense and linear application of the floral motif, provide a clear frame for the more open, scattered pattern found in the central fields.
Such textiles were often produced for domestic use, serving as covers or decorative hangings. The simplicity of the stitch work and the geometric regularity of the pattern suggest a maker working within a well-established regional tradition of needlework. The aesthetic is one of balance and repetition, prioritising the visual impact of the repeated floral unit over complex pictorial representation. The wear and slight discolouration of the fabric provide evidence of its age and previous utility, adding a sense of history to the object. This print captures the texture of the original embroidery, allowing for a close examination of the thread work and the subtle variations in the hand-applied pattern. It is a study in the application of folk motifs to functional objects, reflecting a design sensibility that values symmetry and the repetition of natural forms.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Untitled (Embroidered Textile Cover, Cotton) - Fine Art Print
Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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