Urashima Tarō Riding on a Tortoise - Kawanabe Kyōsai
Archival giclée
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Description
A traditional hanging scroll painting by Kawanabe Kyōsai depicting the legendary fisherman Urashima Tarō travelling to the undersea palace on a tortoise.
This hanging scroll depicts the Japanese folktale of Urashima Tarō, a fisherman who rescues a tortoise and is rewarded with a journey to the undersea palace of Ryūgū-jō. Kawanabe Kyōsai, a master of the late Edo and early Meiji periods, captures the protagonist mid-journey. Tarō sits atop a large, sturdy tortoise, holding a fishing rod, while the ethereal, mist-covered palace appears in the distance above him. The composition utilises the vertical format of the scroll to suggest the vastness of the sea and the supernatural nature of the voyage.
Kyōsai is known for his technical versatility and his ability to blend traditional ink painting techniques with a sense of individual characterisation. The figure of Tarō is rendered with precise, controlled brushwork, contrasting with the softer, more atmospheric application of ink used to define the distant palace and the swirling currents of the water. The palette remains restrained, relying on muted earth tones and subtle washes of blue, which allows the viewer to focus on the narrative elements of the scene.
As an artist who lived through the rapid modernisation of Japan, Kyōsai maintained a connection to classical themes while demonstrating a keen eye for detail and movement. This work reflects his interest in folklore and the supernatural, subjects that frequently appeared in his paintings and woodblock prints. The scroll format itself is integral to the viewing experience, as it dictates a slow, vertical progression from the immediate presence of the fisherman to the distant, dreamlike destination. The work demonstrates the artist's command over the medium, balancing the weight of the tortoise with the lightness of the surrounding atmosphere, creating a scene that feels both grounded in tradition and imaginative in its execution.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Urashima Tarō Riding on a Tortoise - Kawanabe Kyōsai
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