Vaandeldragers en kanunninken, plaat F - Nicolaas Hogenberg
Archival giclée
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Description
A detailed sixteenth-century etching by Nicolaas Hogenberg, depicting a ceremonial procession during the coronation of Emperor Charles V.
This etching by Nicolaas Hogenberg, a Flemish artist active in the early sixteenth century, depicts a segment of a ceremonial procession. The work is part of a larger series documenting the coronation of Emperor Charles V in Bologna in 1530. Hogenberg provides a meticulous record of the figures present, capturing the formal attire of the clergy and the military bearing of the mounted guards. The composition is arranged in a linear fashion, typical of processional friezes from the period, allowing the viewer to observe the individual details of the costumes and the heraldic elements included above the figures.
The upper portion of the print features a decorative cartouche containing French text, which identifies the individuals depicted, flanked by coats of arms. The use of etching allows for a high degree of precision in the rendering of the horses, the folds of the heavy robes, and the metallic sheen of the weaponry. Hogenberg employs a controlled line to define the forms, creating a sense of order and gravity appropriate for a state occasion of such magnitude. The background remains largely unadorned, ensuring that the focus stays on the participants of the procession.
As a historical document, this print offers insight into the visual culture of the Habsburg court. The artist balances the requirements of portraiture with the demands of a narrative sequence, resulting in a work that functions as both a record of an event and a display of technical skill. The inclusion of Latin inscriptions at the base further anchors the work within the humanist tradition of the era, providing context for the figures who governed the city of Bologna during the imperial visit. This print is a clear example of the graphic arts used to disseminate information about political and religious ceremonies across Europe.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vaandeldragers en kanunninken, plaat F - Nicolaas Hogenberg
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