Vaandeldragers SPQR, plaat 7 - Nicolaas Hogenberg
Archival giclée
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Description
A detailed sixteenth-century etching by Nicolaas Hogenberg depicting a ceremonial procession of standard-bearers.
This etching by Nicolaas Hogenberg depicts a procession of standard-bearers, a subject that reflects the sixteenth-century fascination with classical antiquity and military pageantry. The work is part of a series documenting the ceremonial entry of Emperor Charles V into Bologna for his coronation in 1530. Hogenberg, a Flemish artist active in the early sixteenth century, captures the rhythmic movement of the mounted figures as they advance across the frame. The composition is organised horizontally, mimicking the flow of a formal parade.
The figures are rendered with precise line work, focusing on the textures of their armour, the folds of their garments, and the musculature of the horses. The standards, emblazoned with the letters SPQR, serve as a direct reference to the Roman Senate and People, a common motif used during the Renaissance to legitimise the authority of contemporary rulers by linking them to the classical past. The background remains relatively sparse, allowing the viewer to focus on the interaction between the riders and their mounts. The shading is achieved through controlled hatching, which provides volume to the figures without overwhelming the clarity of the scene.
As a historical document, this print offers insight into the visual culture of the Habsburg court. It demonstrates the technical proficiency of printmakers during this period, who were tasked with recording grand events for a wider audience. The work avoids excessive ornamentation, prioritising the narrative clarity of the procession. The inclusion of Latin inscriptions at the base of the print provides context for the specific military units or families represented. This piece is a clear example of the documentary function of printmaking in the early modern era, where the medium acted as a primary vehicle for the dissemination of political and historical imagery across Europe.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vaandeldragers SPQR, plaat 7 - Nicolaas Hogenberg
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