Vase with Carnations and Other Flowers - Vincent van Gogh
Archival giclée
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Description
A study of red carnations and white flowers in a dark vase, painted by Vincent van Gogh during his period in Paris.
Painted during his time in Paris, this still life demonstrates the shift in Vincent van Gogh's palette as he engaged with the work of contemporary French painters. The composition features a dark, rounded vase containing a dense arrangement of white flowers and bright red carnations. Van Gogh applies paint with visible, directional brushwork, a technique that provides the surface with a sense of movement and physical presence.
The background consists of a mottled blue and green surface, which contrasts with the warm tones of the flowers. This choice of colour creates a tension between the foreground objects and the space behind them. The artist places a few loose petals on the table surface, a detail that adds a sense of natural decay and temporal progression to the arrangement. Unlike his later, more experimental works, this piece retains a degree of traditional structure while showing the early development of his signature application of pigment.
Van Gogh produced several floral studies during his stay in Paris, often using them to experiment with colour theory and the juxtaposition of complementary hues. The red of the carnations against the blue-green background is a clear application of these principles. The work remains a study of light and form, captured through the lens of an artist transitioning from the darker tones of his Dutch period toward the brighter, more expressive style he would adopt in the south of France. The focus remains on the tactile quality of the paint and the immediate visual impact of the floral subject matter.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vase with Carnations and Other Flowers - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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