Vertumnus and Pomona - Augustin de Saint-Aubin
Archival giclée
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Description
A refined Rococo etching by Augustin de Saint-Aubin depicting the mythological encounter between Vertumnus and Pomona.
This fine etching and engraving by Augustin de Saint-Aubin depicts the classical myth of Vertumnus and Pomona, a narrative drawn from Ovid's Metamorphoses. The scene captures the moment Vertumnus, the god of seasons and gardens, disguises himself as an elderly woman to gain access to the garden of Pomona, the wood nymph who tends to her fruit trees with singular devotion. Saint-Aubin renders the interaction with the characteristic lightness and decorative grace of the French Rococo period.
The composition is framed by a delicate, floral border that echoes the garden setting. Pomona stands in a relaxed, classical pose, leaning against a stone plinth, while the disguised Vertumnus sits before her, gesturing in conversation. Above them, putti emerge from clouds, adding a sense of ethereal movement to the scene. The artist employs precise, fine lines to define the textures of the drapery, the stone architecture, and the surrounding foliage. The work reflects the eighteenth-century fascination with classical literature, translated into the refined visual language of the printmaker's craft.
Saint-Aubin was a member of a prominent family of artists and engravers in Paris. His technical skill allowed him to translate the painterly qualities of original designs into the medium of print with great clarity. This particular work demonstrates his ability to balance narrative detail with a balanced, ornamental composition. The print serves as a record of the period's aesthetic preferences, where mythological subjects were frequently adapted for decorative and illustrative purposes. The attention to detail in the botanical elements and the expressive gestures of the figures demonstrate the high level of craftsmanship expected of a master engraver during this era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vertumnus and Pomona - Augustin de Saint-Aubin
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