View of the Square and the Church of St. Peter and of the Palace of the Pope called the Vatican - Israël Silvestre
Archival giclée
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Description
A detailed seventeenth-century etching by Israël Silvestre depicting the Vatican and St. Peter's Square before the construction of the famous colonnade.
This etching by the French draughtsman and printmaker Israël Silvestre captures the architectural grandeur of St. Peter's Square and the Vatican. Silvestre, who served as the drawing master to the Grand Dauphin, was known for his precise documentation of European cities and royal residences. His work provides a clear record of the site before the completion of Bernini's famous colonnade, which would later define the square's appearance.
The composition centres on the Egyptian obelisk, which acts as a vertical anchor against the horizontal expanse of the basilica. Silvestre employs fine, controlled lines to delineate the facade of St. Peter's, capturing the classical orders and the dome with technical accuracy. The foreground is populated with small, sketch-like figures, providing a sense of scale and daily activity within the vast public space. The artist's approach to perspective is methodical, typical of the seventeenth-century topographical tradition that sought to document urban environments for a growing audience of collectors and travellers.
As a printmaker, Silvestre was prolific, producing hundreds of plates that circulated widely across Europe. This particular view reflects the interest in Roman antiquities and ecclesiastical architecture that dominated the period. The etching demonstrates the characteristic clarity of his style, where the focus remains on the structural integrity of the buildings rather than atmospheric effects. The inclusion of the inscription at the base, noting the publisher Pierre Mariette, confirms its status as a commercial print intended for the dissemination of architectural knowledge. The work remains a valuable historical document, offering a glimpse into the Vatican as it appeared to visitors during the mid-seventeenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
View of the Square and the Church of St. Peter and of the Palace of the Pope called the Vatican - Israël Silvestre
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