Vignet met het wapen van de stad Amsterdam - Isaac Weissenbruch
Archival giclée
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Made to order
Description
A detailed etching by Isaac Weissenbruch featuring the historic coat of arms of Amsterdam, complete with lions and the Imperial Crown.
This etching by Isaac Weissenbruch depicts the coat of arms of Amsterdam, a subject of historical significance within Dutch civic iconography. The composition features the central shield, or escutcheon, displaying the three vertical crosses, known as the St. Andrew's crosses, which are synonymous with the city. The shield is supported by two rampant lions, a common motif in heraldry representing strength and vigilance. Above the shield sits the Imperial Crown of Austria, a symbol granted to the city by Maximilian I in 1489.
Weissenbruch employs a precise, linear technique characteristic of early nineteenth-century printmaking. The shading on the lions and the crown is achieved through fine hatching, which provides a sense of volume and texture despite the two-dimensional nature of the medium. The base of the composition rests upon a decorative scrollwork element, typical of the period's ornamental style, which grounds the heraldic figures and provides a sense of balance to the overall design. The work reflects the formal conventions of civic heraldry, where clarity and symbolic accuracy take precedence over naturalistic representation.
Isaac Weissenbruch was a Dutch engraver and publisher active during a period when such vignettes were frequently used in official documents, books, and civic publications. This print demonstrates the technical skill required to render complex heraldic details at a small scale. The choice of paper and the crispness of the lines suggest a high-quality impression intended for formal use. By focusing on the traditional elements of the Amsterdam arms, the artist maintains a connection to the city's historical identity, presenting the symbols with a level of detail that allows for clear identification and appreciation of the craft involved in its production.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vignet met het wapen van de stad Amsterdam - Isaac Weissenbruch
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