Vignet van kunstenaarsvereniging 'Arti et amicitiae' te Amsterdam - Isaac Weissenbruch
Archival giclée
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Description
A detailed etching by Isaac Weissenbruch featuring the emblem of the Amsterdam artists' society, Arti et Amicitiae, complete with a winged ox and heraldic shield.
This etching by Isaac Weissenbruch serves as a formal emblem for the Amsterdam-based artists' society, Arti et Amicitiae. Founded in 1839, the society sought to promote professional connections among artists and provide a space for exhibition and social engagement. The design reflects the mid-nineteenth-century preference for classical heraldic motifs and allegorical representation.
At the centre of the composition sits a shield, which is surmounted by a winged ox. This creature is a traditional symbol associated with Saint Luke, the patron saint of painters. The shield itself is flanked by scrolling acanthus leaves, a common decorative element in European graphic design of the period. Below the shield, a ribbon banner carries the Latin inscription 'Arti et Amicitiae', translating to 'For Art and Friendship'. The inclusion of small clusters of fruit and foliage at the base of the shield adds a naturalistic touch to the otherwise formal, structured arrangement.
Weissenbruch, a member of the prominent Dutch family of artists, utilised precise line work to define the textures of the wings, the musculature of the ox, and the shading within the shield. The etching demonstrates a high level of technical control, typical of the reproductive printmaking techniques employed for institutional stationery and membership documents during this era. The composition is balanced and symmetrical, adhering to the conventions of nineteenth-century graphic design where clarity and symbolic weight were prioritised. This print offers a glimpse into the institutional identity of one of the Netherlands' most established art organisations, capturing the values of professional camaraderie and artistic dedication that defined the society throughout the century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vignet van kunstenaarsvereniging 'Arti et amicitiae' te Amsterdam - Isaac Weissenbruch
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