Vis met zes cirkels - Willem Westbroek
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Description
A symbolic drawing by Dutch Outsider artist Willem Westbroek, featuring a central tree, figures, and enigmatic circular motifs in graphite and blue pencil.
This drawing by the Dutch artist Willem Westbroek presents a curious, symbolic narrative rendered in light graphite and blue pencil. Westbroek, a self-taught artist, often populated his works with enigmatic figures and recurring motifs that suggest a personal mythology. In this composition, a central tree acts as the anchor for the scene, dividing the space between two distinct figures. To the left, a man in a hat interacts with the tree, while to the right, a figure stands alongside a unicorn-like creature. The upper portion of the drawing features a large circular form containing two fish and a series of smaller circles, creating a celestial or perhaps ritualistic atmosphere.
The line work is delicate and sparse, characteristic of Westbroek's preparatory or conceptual sketches. The composition is flat, prioritising the arrangement of symbols over realistic depth. Small details, such as the tiny windmill in the background, provide a sense of place, yet the overall effect remains dreamlike and detached from conventional representation. The use of blue pencil adds a subtle tonal quality to the work, distinguishing the upper symbolic elements from the figures below.
Westbroek's practice is often associated with Outsider Art, as his work developed outside the formal structures of the art world. His drawings frequently explore themes of nature, human interaction, and folklore, often blending these elements into singular, idiosyncratic visions. This piece offers a glimpse into the artist's process, showing how he layered disparate images to construct his own visual language. The work is preserved as part of a larger collection of his sketches, which document his creative output over several decades. It remains a compelling example of his ability to imbue simple line drawings with a sense of mystery and narrative weight.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vis met zes cirkels - Willem Westbroek
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