Vlinder, nachtvlinder en hommel - Johannes Bronkhorst
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A precise natural history study by Johannes Bronkhorst, featuring a peacock butterfly, a moth, and a bumblebee rendered in watercolour and gouache.
This study by Johannes Bronkhorst captures the precise observation characteristic of Dutch natural history illustration during the late seventeenth and early eighteenth centuries. Bronkhorst, a Dutch artist active in the period following the height of the Dutch Golden Age, specialised in the depiction of insects and small creatures. His work reflects the scientific curiosity of the era, where the classification and documentation of the natural world became a pursuit for both scholars and collectors.
The composition features three distinct subjects: a peacock butterfly, a moth, and a bumblebee. Each specimen is rendered with careful attention to anatomical detail, from the distinct eye-spots on the butterfly wings to the fuzzy texture of the bumblebee. The artist employs a delicate application of watercolour and gouache, allowing for subtle gradations of colour that mimic the natural appearance of the insects. The background remains sparse, a common convention in scientific studies of the time, which directs the viewer's focus entirely to the biological forms.
Bronkhorst often signed his works with the initials J.B.F., as seen in the lower left corner of this sheet. The use of light and shadow beneath each insect provides a sense of physical presence, suggesting they are resting upon the paper surface. This approach aligns with the tradition of cabinet drawings, intended for inclusion in albums or collections of natural curiosities. The work demonstrates a high level of technical control, particularly in the fine lines used to define the antennae and the soft, downy quality of the bumblebee's thorax. By isolating these subjects, Bronkhorst provides a clear, objective view of their morphology, free from the clutter of a habitat setting. This print offers a glimpse into the intersection of art and early entomological study, presenting the natural world with clarity and restraint.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vlinder, nachtvlinder en hommel - Johannes Bronkhorst
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

