Vrede en Mercurius - Jan Luyken
Archival giclée
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Description
A detailed 1681 etching by Jan Luyken depicting an allegorical scene of Mercury and Peace, reflecting the political and trade climate of the Dutch Golden Age.
This etching by Jan Luyken, dated 1681, functions as an allegorical frontispiece or illustration, typical of the period's preference for classical symbolism in political and historical commentary. The composition features Mercury, the god of commerce and communication, identifiable by his caduceus and winged helmet, standing alongside a female figure representing Peace, who holds a palm branch. The inclusion of the text 'Mercure Hollandois de l'An 1679' suggests the work relates to the Dutch political climate and trade relations during the late seventeenth century.
Luyken, a prolific Dutch engraver and poet, demonstrates his technical proficiency through the use of varied line weights to define form and texture. The foreground features a seated male figure, perhaps representing a weary or defeated state, positioned near a drum and discarded military equipment. This juxtaposition of classical deities with symbols of conflict and commerce reflects the broader European preoccupation with the consequences of war and the necessity of trade for national stability. In the background, a scene of public execution or punishment provides a stark contrast to the divine figures, grounding the allegory in the harsh realities of the era.
The print exhibits the characteristic precision of Dutch Golden Age graphic arts. Luyken employs cross-hatching to create depth and shadow, ensuring the figures remain the primary focus against the lighter, etched sky. The architectural elements, including the pedestal and the distant structures, provide a sense of scale and place. This work is a fine example of how seventeenth-century printmakers communicated complex political narratives through a visual language familiar to their contemporaries. The inclusion of the publisher's details at the bottom, 'Chez Henry, et la veuve de Th. Boom, 1681', confirms its role as a commercial publication, likely intended for a book or pamphlet.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vrede en Mercurius - Jan Luyken
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