Water (Allegory of the Elements) - Pieter van Avont
Archival giclée
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Description
A seventeenth-century Flemish etching by Pieter van Avont depicting an allegorical scene of Water, featuring putti and marine elements.
This etching by Pieter van Avont represents the element of Water, a common theme in seventeenth-century Flemish art. Van Avont, a painter and etcher based in Antwerp, frequently collaborated with other artists, though this work demonstrates his own skill in composition and figure drawing. The scene features three putti, or cherubic figures, positioned near a water source. One figure pours water from a vessel, while another reaches toward the stream where fish are visible. The third figure holds a shell, reinforcing the aquatic theme.
The background includes tall reeds and a distant view of a marine procession, likely depicting a sea deity or mythological figures riding sea creatures. The foreground is littered with various seashells, a detail that adds texture and thematic consistency to the composition. Van Avont employs a clear, linear style typical of the period, using hatching to define the musculature of the figures and the organic forms of the flora. The inscription at the bottom right, 'Pet. van Avont inuenit et excudit Cum privilegio', indicates that the artist both designed and published the print under a royal or civic privilege, a common practice for protecting intellectual property in the Dutch and Flemish art markets of the era.
This work belongs to a series exploring the four elements, a popular subject for decorative prints that appealed to collectors of the time. The balance between the central figures and the surrounding environment reflects the Baroque interest in classical mythology and natural history. The print provides a view into the technical capabilities of Flemish printmaking during the mid-seventeenth century, where the focus remained on clarity of form and narrative accessibility. The composition is structured to guide the eye from the central action of the putti toward the secondary details of the shoreline and the distant sea.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Water (Allegory of the Elements) - Pieter van Avont
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