Fine Art Framed
From $220
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Watering the Flowers - Auguste Toulmouche
Regular price
$220.00 NZD
Sale price
$220.00 NZD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A refined genre painting by Auguste Toulmouche, capturing a woman in a domestic interior with meticulous attention to period fashion and decor.
Auguste Toulmouche, a French painter associated with the Academic tradition, produced this work during the height of the Second Empire. The painting depicts a woman in a domestic interior, engaged in the quiet activity of tending to a potted plant. Toulmouche gained recognition for his depictions of Parisian women, often focusing on the material culture of the era, including fashion, furniture, and interior decoration. The composition centres on the figure, who wears a gown featuring a pale pink skirt and a contrasting red bodice. Her posture is relaxed, and her attention is directed towards the small glass vessel she holds. The setting includes a gilded pedestal table, heavy blue drapery, and a folding screen decorated with floral motifs. Behind the figure, a large wall hanging or painting adds depth to the room, suggesting a space of comfort and refinement. Toulmouche employed a precise technique, characteristic of the École des Beaux-Arts training. The textures of the silk fabric, the metallic sheen of the table, and the soft petals of the flowers are rendered with careful attention to light and shadow. The colour palette is dominated by cool blues and warm pinks, creating a balanced visual harmony. This work reflects the interest of the period in capturing the private lives of the bourgeoisie, presenting a scene of leisure and domesticity. The artist avoids overt narrative, preferring to focus on the aesthetic qualities of the environment and the grace of the subject. The result is a polished image that documents the sartorial and decorative tastes of late nineteenth-century France.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Watering the Flowers - Auguste Toulmouche
Regular price
From $130.00 NZD
Sale price
From $130.00 NZD
Regular price
Fine Art Framed / A4 (21x29.7 cm) / Black frame
Artist Biography
Auguste Toulmouche
Auguste Toulmouche built his career on a single subject: Parisian women in interiors. Over four decades of regular Salon submissions, he painted them reading letters, examining themselves in mirrors, trying on new dresses, and, in his most frequently reproduced canvas, sitting with studied reluctance before a wedding bouquet (*The Hesitant Fiancée*, 1866, now in the Musée d'Orsay). The formula was reliable and the execution was meticulous: critics of the period singled out his rendering of silk and lace as among the most technically accomplished in French academic painting.
Born in Nantes in 1829, Toulmouche studied at the École des Beaux-Arts under Thomas Couture, painter of *Romans of the Decadence*. It was through family connections that the young Claude Monet, arriving in Paris in 1862, came to Toulmouche's studio and was directed on to Charles Gleyre's atelier, where Monet met Renoir, Sisley, and Bazille. That brief intersection with Impressionism's future is now the most-cited fact in Toulmouche's biography, which says something about how thoroughly the academic tradition he represented was superseded by the movement it inadvertently helped to launch.
Toulmouche was awarded the Légion d'honneur and produced work that remained commercially popular throughout his lifetime. Later critics placed him alongside Jean Béraud and Raffaelli as painters whose primary interest lies in the period record they provide: precise documentation of the clothes, furnishings, and domestic arrangements of bourgeois Parisian life in the Second Empire and early Third Republic. He died in Paris in 1890.
Born in Nantes in 1829, Toulmouche studied at the École des Beaux-Arts under Thomas Couture, painter of *Romans of the Decadence*. It was through family connections that the young Claude Monet, arriving in Paris in 1862, came to Toulmouche's studio and was directed on to Charles Gleyre's atelier, where Monet met Renoir, Sisley, and Bazille. That brief intersection with Impressionism's future is now the most-cited fact in Toulmouche's biography, which says something about how thoroughly the academic tradition he represented was superseded by the movement it inadvertently helped to launch.
Toulmouche was awarded the Légion d'honneur and produced work that remained commercially popular throughout his lifetime. Later critics placed him alongside Jean Béraud and Raffaelli as painters whose primary interest lies in the period record they provide: precise documentation of the clothes, furnishings, and domestic arrangements of bourgeois Parisian life in the Second Empire and early Third Republic. He died in Paris in 1890.
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Canvas
From $130
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
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