Westminster Abbey and Bridge: The Embarkation on Lord Mayor's Day - Edward Goodall
Archival giclée
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Description
A detailed 1844 engraving by Edward Goodall depicting the ceremonial Lord Mayor's Day procession on the River Thames at Westminster.
This fine engraving by Edward Goodall captures a ceremonial scene on the River Thames, specifically focusing on the area surrounding Westminster Abbey and the old Westminster Bridge. The composition centres on the elaborate state barges used during the Lord Mayor's Day procession, a traditional London event that saw the city's civic leaders travel by water to Westminster to be sworn into office. The architecture of the Abbey is rendered with precision, providing a stable backdrop to the activity on the water.
Goodall, a skilled engraver known for his work after J.M.W. Turner, demonstrates a mastery of light and atmospheric perspective here. The soft, sepia-toned quality of the print allows for a focus on the textural differences between the stone of the bridge, the wooden hulls of the barges, and the reflective surface of the river. The scene is populated with numerous figures, from the rowers straining at their oars to the spectators gathered on the banks and vessels, creating a sense of organised movement. The inclusion of the ornate barges, decorated with heraldic symbols and flags, provides a glimpse into the pageantry of nineteenth-century London life.
As a topographical record, the work offers a view of the city before the construction of the current Palace of Westminster and the replacement of the original Westminster Bridge. The print was produced for the Art Union of London, an organisation that aimed to promote the fine arts by commissioning works for its subscribers. This particular impression reflects the technical capability of the period, where the engraver's line work creates depth and volume without the need for colour. It remains a document of both the architectural history of the capital and the social traditions that defined its civic calendar.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Westminster Abbey and Bridge: The Embarkation on Lord Mayor's Day - Edward Goodall
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