Wet - Anders Zorn
Archival giclée
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Description
A 1911 etching by Anders Zorn capturing a female figure at the water's edge, rendered with expressive, rapid lines.
Anders Zorn, a Swedish artist of international repute, produced this etching titled 'Wet' in 1911. Zorn is recognised for his technical mastery of the etching medium, a craft he approached with the same vigour as his oil painting. This work captures a solitary female figure positioned at the water's edge, her form rendered with a series of rapid, confident lines that define both the subject and the surrounding environment.
The composition relies on the interplay between the figure and the water. Zorn uses directional hatching to suggest the movement of the surface, creating a sense of ripples and light reflection. The figure is not static, but rather engaged in the act of testing the temperature or depth of the water. By leaving areas of the paper blank, Zorn allows the white space to function as highlights, effectively conveying the glistening quality of wet skin and the bright, open-air atmosphere typical of his Swedish coastal subjects.
Zorn's approach to the human form is direct and unidealised. He focuses on the physical presence of the sitter, using the etching needle to create texture that mimics the tactile nature of skin against water. The background is suggested rather than detailed, keeping the viewer's attention on the interaction between the figure and the natural element. This print demonstrates his ability to capture a fleeting moment with economy of line, a hallmark of his graphic work. The signature at the bottom right confirms the authenticity of the impression, reflecting the high standards Zorn maintained throughout his career in printmaking. This piece offers a glimpse into the artist's fascination with the Swedish summer, where the boundary between the human figure and the natural world becomes fluid and immediate.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Wet - Anders Zorn
Artist Biography
Anders Zorn
He was born in Mora in 1860, studied at the Royal Swedish Academy of Arts in Stockholm, and worked across Paris, London and the United States. His ability to render water and flesh with loose, confident brushwork set him apart from more academic contemporaries. His etchings, numbering roughly three hundred, are considered among the finest of the period.
He returned to Mora later in life, establishing a museum and open-air museum there. The Zorn Museum remains a major cultural institution in Sweden. He died in Mora in 1920, at sixty.
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