White Clouds and Crimson Trees - Tanomura Chokunyū
Archival giclée
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Description
A traditional Bunjinga hanging scroll by Tanomura Chokunyū, featuring a mountainous scene with crimson trees and mist.
Tanomura Chokunyū was a prominent figure in the Bunjinga tradition, a style of Japanese painting that drew inspiration from Chinese literati art. This vertical hanging scroll demonstrates his mastery of the genre, presenting a mountainous terrain enveloped in mist and foliage. The composition follows the traditional vertical format, guiding the viewer from the foreground, where small figures inhabit a secluded dwelling, up through the craggy peaks and winding paths that disappear into the clouds.
The colour palette relies on muted earth tones, punctuated by the deliberate application of crimson for the autumn trees. These red accents provide a visual rhythm against the soft greens of the mountains and the pale, negative space representing the clouds. The brushwork is precise, reflecting the disciplined training required of a Bunjinga practitioner. Each stroke serves to define the texture of the rock faces or the delicate needles of the pine trees.
Chokunyū, who was the adopted son of the famous painter Tanomura Chikuden, maintained the intellectual rigour associated with the literati school throughout his career. His work often reflects a deep engagement with nature, not merely as a subject, but as a space for contemplation. The inclusion of calligraphy in the upper section of the scroll is typical of the period, integrating text and image to create a unified work of art. This piece captures the quiet atmosphere of a mountain retreat, where the human presence is small compared to the scale of the natural world. The balance between the solid forms of the mountains and the ethereal quality of the clouds creates a sense of harmony, a core objective within this artistic tradition.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
White Clouds and Crimson Trees - Tanomura Chokunyū
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