Willow Tree at the Gate of the Shimabara Pleasure Quarter - Utagawa Hiroshige
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Utagawa Hiroshige, depicting the entrance to the Shimabara pleasure quarter in Kyoto with figures and a willow tree.
This woodblock print by Utagawa Hiroshige depicts the entrance to the Shimabara pleasure quarter in Kyoto. As part of the series Famous Places in Kyoto, the work captures a specific social environment of the Edo period. The composition is anchored by the large willow tree on the right, which frames the gate and the figures moving through the space. Hiroshige employs a balanced arrangement, contrasting the architectural rigidity of the wooden gate and fences with the fluid movement of the pedestrians.
The figures in the foreground, dressed in traditional kimono, provide a sense of scale and narrative activity. Their postures and gestures suggest a casual, everyday atmosphere, typical of the genre scenes favoured by Hiroshige. The colour palette relies on muted blues, soft ochres, and earthy tones, which are characteristic of the printing techniques of the time. The distant mountain, rendered with a subtle gradient, provides depth to the scene, drawing the eye from the immediate foreground into the background.
Technically, the print demonstrates the precision of the woodblock medium. The lines are clean and deliberate, defining the structural elements of the buildings and the organic forms of the trees. The use of colour blocks is controlled, ensuring that the visual information remains clear without becoming cluttered. This work offers a glimpse into the urban life of nineteenth-century Japan, documenting both the physical geography of Kyoto and the social customs of its inhabitants. It is a representative example of Hiroshige's ability to combine topographical accuracy with human interest, creating a balanced view of a well-known location.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Willow Tree at the Gate of the Shimabara Pleasure Quarter - Utagawa Hiroshige
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