Yahagi Bridge at Okazaki on the Tōkaidō - Katsushika Hokusai
Archival giclée
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Description
A classic woodblock print by Katsushika Hokusai depicting the long Yahagi Bridge, featuring the artist's signature use of Prussian blue and precise line work.
This woodblock print by Katsushika Hokusai belongs to the series Remarkable Views of Bridges in Various Provinces, produced during the 1830s. The composition centres on the Yahagi Bridge, a structure of significant length that spans the Yahagi River in Mikawa Province. Hokusai employs a high vantage point, allowing the viewer to observe the rhythmic movement of travellers crossing the arched wooden bridge while simultaneously noting the activities occurring on the riverbanks below.
The print demonstrates the artist's mastery of Prussian blue, a pigment that became available in Japan during this period and transformed the colour palette of ukiyo-e prints. The sky is rendered with a subtle gradient, known as bokashi, which transitions from a deep blue at the top to a lighter hue near the horizon. In the foreground, the artist includes everyday details, such as white fabrics drying on racks and a collection of parasols, which provide a sense of scale and human presence against the architectural form of the bridge.
Beyond the bridge, the composition includes a distant mountain peak, which echoes the iconic form of Mount Fuji, a recurring subject in Hokusai's work. The structural elements of the bridge are depicted with clear, precise lines, contrasting with the fluid, meandering paths of the river water. The use of negative space, particularly in the clouds and the open areas of the river, creates a balanced visual rhythm. This work captures a moment of transit on the Tōkaidō, the primary road connecting Edo and Kyoto, reflecting the busy nature of travel in nineteenth-century Japan. The print remains a clear example of Hokusai's ability to combine topographical accuracy with a refined sense of design.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Yahagi Bridge at Okazaki on the Tōkaidō - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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