Yorimitsu Receiving Watanabe no Tsuna - Katsukawa Shuntei
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Katsukawa Shuntei depicting the historical encounter between Minamoto no Yorimitsu and Watanabe no Tsuna.
This woodblock print by Katsukawa Shuntei depicts a formal encounter between the Heian-period commander Minamoto no Yorimitsu and his loyal retainer, Watanabe no Tsuna. Shuntei, a pupil of Katsukawa Shun'ei, was known for his focus on warrior subjects, or musha-e. The composition is structured around the interior of a Japanese residence, where the figures are arranged in a deliberate, static manner that reflects the social hierarchy of the period.
Minamoto no Yorimitsu sits centrally, his posture conveying authority. Watanabe no Tsuna is positioned to the lower right, accompanied by other attendants. The artist employs a flattened perspective, typical of the Ukiyo-e tradition, where the architectural elements serve as a frame for the narrative action. The inclusion of armour pieces on the floor suggests a recent return from duty or a preparation for a campaign, adding a layer of martial context to the scene.
Textual elements, including calligraphy, are integrated into the upper left quadrant, a common feature in prints of this era that provided context or poetic commentary on the depicted historical event. The colour palette is muted, relying on subtle washes of blue, ochre, and ink-black, which have softened over time. The lines are precise and controlled, characteristic of the Katsukawa school's approach to figure drawing. This work offers a glimpse into the popularisation of historical and legendary narratives in Edo-period Japan, where the exploits of famous warriors were frequently adapted for a broad audience through the medium of the woodblock print.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Yorimitsu Receiving Watanabe no Tsuna - Katsukawa Shuntei
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