Yoshiwara, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Archival giclée
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Description
A woodblock print by Katsushika Hokusai depicting a genre scene of rural labour at the Yoshiwara station along the Tokaido road.
This woodblock print by Katsushika Hokusai depicts a scene at the Yoshiwara station along the Tokaido road. Unlike the later, more famous series by Utagawa Hiroshige, Hokusai's interpretation of the Tokaido route focuses on the daily activities of travellers and local inhabitants. In this composition, the artist captures a moment of communal labour: figures are engaged in the process of pounding grain or similar agricultural work under a simple wooden structure. The scene is framed by a modest shelter, which provides a clear view of the surrounding terrain.
Hokusai employs a balanced use of line and colour, characteristic of his early nineteenth-century output. The figures are rendered with precise, clean strokes, while the background features simplified forms of hills and trees. The colour palette remains restrained, relying on soft ochres, muted greens, and subtle pinks to define the environment. The composition is structured to lead the eye from the active foreground, where the figures operate the equipment, toward the open space beyond.
This work belongs to a period when Hokusai was experimenting with various subjects, including genre scenes that document the social fabric of Edo-period Japan. The print serves as a record of rural life, far removed from the urban bustle often associated with the Yoshiwara district in other artistic contexts. The technical execution demonstrates the skill of the carvers and printers who collaborated with Hokusai to produce these editions. The print is a representative example of the Ukiyo-e tradition, which sought to capture the fleeting moments of everyday existence. It offers a glimpse into the travel culture of the time, where the journey between Edo and Kyoto was punctuated by such quiet, industrious scenes.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Yoshiwara, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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